Dhal Gae Sham e Hijar is a compelling Urdu novel by Sadaf Rehan. The story begins when the heroine arrives in the city to study and stays at her aunt’s house. The hero, who is her second aunt’s son, starts visiting frequently because of her. Initially, the heroine finds him unpleasant, but gradually she begins to like him. Everyone wishes for their marriage to mend the strained family relations, as the hero’s elder brother was once engaged to the heroine’s elder sister but betrayed her by marrying someone else, causing a rift between the families.

Table of Contents

Dhal Gae Sham e Hijar by Sadaf Rehan

Genre: Revenge based, Rude hero, Strong heroine, Forced marriage, Cousin marriage, Haveli based, Social romantic.

Summary Of Apple and Strawberry

As the story of Dhal Gae Sham e Hijar progresses, both the hero and the heroine develop feelings for each other. The hero’s mother, who is also the heroine’s aunt, brings a marriage proposal, but the heroine publicly refuses it due to the pressure from her elder sister’s husband. He threatens to divorce her sister if the heroine accepts the proposal. To prevent this, the heroine declines the proposal, which leads to a series of dramatic events.

In a twist of revenge, the hero forcibly marries the heroine and destroys the marriage certificate to ensure that she cannot marry anyone else and has no proof of their marriage. The tension and drama escalate, leaving readers eager to find out what happens next. For the full story, download the novel Dhal Gae Sham e Hijar by Sadaf Rehan.

The novel Dhal Gae Sham e Hijar by Sadaf Rehan delves into themes of love, betrayal, and revenge. The intricate family dynamics and the heroine’s struggle with her feelings and circumstances keep readers hooked. The revenge plot, driven by the hero’s anger and hurt, adds a layer of intensity to the story. To uncover how this tangled tale unfolds, readers are encouraged to read Dhal Gae Sham e Hijar by Sadaf Rehan.

Writer Introduction:

Sadaf Rehan is a celebrated Pakistani novelist renowned for her evocative storytelling and deep exploration of human emotions. With a distinctive style that blends mature themes with the nuances of traditional and contemporary Pakistani society, Rehan has carved a niche for herself in the realm of Urdu literature. Her narratives often revolve around complex relationships, societal norms, and the inner turmoils of her characters, resonating deeply with readers.

Rehan’s work is characterized by its rich character development and intricate plots, which often tackle themes such as forced marriages, unrequited love, and the struggles of women in a patriarchal society. Her ability to portray the subtleties of village life and the inner workings of familial relationships has garnered her a loyal readership. Through her novels, she provides a voice to the often unheard, shedding light on their stories with sensitivity and realism.

In addition to “Apple and Strawberry,” Sadaf Rehan has authored several other novels that have been well-received for their emotional depth and engaging storytelling. Her contribution to Urdu literature continues to inspire and captivate readers, making her a prominent figure in the literary community.

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“میں سمجھتی تھی کہ تم بہت اچھے ہو۔ لیکن تمہاری اصلیت تو آج مجھ پر کھلی ہے۔ جنگلی وحشی گرے ہوئے انسان، تم نے یہ کیا کیا ہے میرے ساتھ ۔ کیوں کیا ایسا مجھے کہیں منہ دکھانے کے قابل بھی نہیں چھوڑا۔ تم اتنے برے بھی ہو سکتے ہو میں سوچ بھی نہیں سکتی تھی۔ مجھے نفرت ہے تم سے شدید نفرت۔” اس کے کالر کھینچتے ہوئے وہ جنونی سی بولتی چلی گئی۔

“میں گرا ہوا انسان ہوں۔ میں برا ہوں، تمہیں مجھ سے نفرت ہے ، ٹھیک ہے، تمہیں حق ہے جو مرضی کہو، میں خود شرمندہ ہوں ، تم سے محبت کرنے پر ہاں اس نکاح پر مجھے کوئی افسوس نہیں ، لیکن اگر تمہیں یہ بھی پسند نہیں تو یہ لو۔” وہ کالر چھڑاتا کھڑا ہوا۔ شرٹ کی پاکٹ میں سے تہہ شدہ پیپر نکالا، جینز کی پاکٹ میں سے ماچس بر آمد کی اور آن کی آن میں دیکھتے ہی دیکھتے وہ کاغذ راکھ بن کر اس کے قدموں میں بکھر گیا۔ وہ ساکت سی منہ پر ہاتھ رکھے پھٹی پھٹی آنکھوں سے تماشا دیکھتی رہی۔

“لوجی یہ قصہ بھی ختم۔ یہ نکاح نامہ تھا جو اب نہیں ہے، ہمارا نکاح ہوا ہے، یہ میں جانتا ہوں یا تم جانتی ہو، تیسرا گواہ اور کوئی نہیں، جو ثبوت تھاوہ مٹ چکا میں اس بات کا تذکرہ کہیں نہیں کروں گا تم بھی مت کرنا اب خوش۔” وہ ہاتھ جھاڑ کر پھر سے بیٹھ چکا تھا۔

“تت تم پاگل ہو چکے ہو فرجاد ۔ قسم سے تم پاگل ہو چکے ہو یہ کیا کر دیا۔” بہت دیر بعد اس کے حلق سے میں سرسراتی ہوئی آواز نکلی تھی اب تک یقین نہیں آیا تھا آنکھوں نے جو دیکھا ہے وہ ہو گزرا ہے۔

“کبھی کہتی ہو یہ کیا کیا، کبھی کہتی ہو وہ کیا کر دیا۔ پاگل تو تم نے مجھے کیا ہے، جو پہلے ہوا اس پر بھی خوش نہیں تھیں، جواب کیا اس پر بھی پریشان ہو مجھے بتاؤ میں کیا کروں کہانا بھول جاؤ جو کچھ ہوا۔” وہ کتنا معصوم بن رہا تھا۔

لاجورد کا بس نہیں چلا تھا کیا کر ڈالے۔ اس پر زور نہیں تھا۔ اپنے آنسوؤں پر تو اختیار تھا جو پھر تیزی سے بہنے لگے۔

جب یہ شغل پورا کر لوتو بتادینا۔ میں تمہیں چھوڑ آؤں گا۔ وہ قطعا متاثر ہوئے بغیر اٹھ کر چلا گیا۔ وہ ایک بار پھر چیخ چیخ کر رو رہی تھی۔

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